Eu, deținătorul drepturilor de autor ale acestei opere, o eliberez domeniului public. Aceasta se aplică în întreaga lume. În anumite țări există posibilitatea ca acest lucru să nu fie legal posibil; în acest caz: permit oricui să utilizeze această operă în orice scop, fără nicio condiție, atâta timp cât asemenea condiții nu sunt cerute de lege.
The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes.
Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in locations with access to the public can be freely represented by photography, painting, drawing and audiovisual means. Commercial use is allowed, as long as the artist's work is properly attributed, the representation does not consist in a reproduction. The existing jurisprudence consistently allows commercial use of artworks under FoP, as long as the artwork is accessory, and not detached from its surrounding elements, and therefore not unfairly used to produce revenue that by law belongs to the artist. Violation of those rights is frequently punished by Brazilian courts with pecuniary indemnisations to the offended party.
This work might not be available under a free license in the United States because it is based on an artwork or sculpture that may be protected by copyright under U.S. law. (Commons is hosted in the United States and as such, U.S. law is applicable.)
In the source country of the artwork or sculpture, taking photographs of such works permanently located in a public place does not generally infringe on their copyright, under a principle known as "freedom of panorama".
In U.S. law, there is no freedom of panorama for artwork or sculptures, and under the choice-of-law principle lex loci protectionis, U.S. courts might apply U.S. freedom of panorama standards to this work, rather than the standards of the source country. However, in practice, it is unsettled whether and how this approach would be applied in real-world U.S. legal cases involving freedom of panorama elements.
The current policy on Commons is to accept photos of artwork and sculptures that are covered by freedom of panorama in their source country. This policy may change in the future, depending on the outcome of community discussions and new case law.
This is not a valid license tag on Commons; this file must be usable under freedom of panorama in its source country or it will be deleted.
{{Information |Description={{nl|1=Brazilië, Rio De Janeiro, Christus De Verlosser}} |Source=Own work by uploader |Author=Emesbe |Date=novenber 4th, 2008 |Permission= |other_versions= }} <!--{{ImageUpload|full}}-->
Acest fișier conține informații suplimentare, introduse probabil de aparatul fotografic digital sau scannerul care l-a generat. Dacă fișierul a fost modificat între timp, este posibil ca unele detalii să nu mai fie valabile.
Producătorul aparatului foto
KONICA MINOLTA
Modelul aparatului foto
DiMAGE Z5
Data și ora producerii imaginii
2 noiembrie 2008 13:18
Titlul imaginii
KONICA MINOLTA DIGITAL CAMERA
Orientare
Normală
Rezoluție orizontală
72 dpi
Rezoluție verticală
72 dpi
Software folosit
DiMAGE Z5 v1.01
Data și ora modificării fișierului
2 noiembrie 2008 13:18
Poziționarea Y și C
Centrat
Timp de expunere
1/400 sec (0,0025)
Diafragmă relativă
f/4,5
Program de expunere
Prioritate timp
Sensibilitate ISO
50
Versiune exif
2.2
Data și ora digitizării
2 noiembrie 2008 13:18
Luminozitate
9
Ajustarea expunerii
0
Diafragmă maximă
4 APEX (f/4)
Mod de măsurare
Model
Sursă de lumină
Necunoscută
Bliț
Blițul nu a declanșat, suprimarea obligatorie a blițului